The Santo Niño Festivals

January is marked in the Philippines with several festivals honoring the Sto. Niño or the Holy Child. The most famous is the Sinulog Festival in Cebu City, but in other parts of the country, there are: the Ati-Atihan Festival in Kalibo, Aklan; Dinagyang Festival in Iloilo City; Binanog Festival in Lambonao, Iloilo; Biniray in Romblon; Binirayan and Handugan in Antique; Pachada Senor in Cagayan de Oro City; Kahimunan in Butuan City; Zambulawan in Pagadian City;

Sinulog (Kabangkalan) Festival in Kabankalan City, Negros Occidental; the Makato Sto. Niño Festival in Poblacion Makato, Aklan; the Kahimunan Festival in Libertad, Butuan City; Batan Ati-Ati Malakara Festival in Poblacion Batan, Aklan; the Bansudani Festival in Bansud, Oriental Mindoro; the Altavas Sto. Niño Festival in Poblacion Altavas, Aklan ; the Ibajay Ati-Ati Municipal and Devotional Fiesta in Ibajay, Aklan; the Dinagsa Ati-Atihan Festival in Cadiz City, Negros Occidental; the Hinirugyaw Festival in Calinog, Iloilo; the Sto. Niño Festival in Malolos, Bulacan; and the Tondo Fiesta, in Manila.

These celebrations are usually marked by nine-day novenas or masses in honor of the Sto.

Niño, grand processions of folk, antique and new images of the Holy Child, street dancing,

beauty pageants, flea markets and fireworks. Images of the Sto. Niño are varied, reflecting an

individualʼs occupation or preference - as a sleeping child, a keeper of the world, a shepherd

boy, a student, etc. It has been observed that this image is the most dressed among all images.

The Filipinosʼ devotion to the Santo Niño reflects a love for children, who are usually a familyʼs

source of inspiration and joy. The Catholic Church in the Philippines sets the Holy Child as an example of humility, and as a celebration of the Incarnation. The Child Jesus is also a powerful

gospel statement that in becoming like little children will we be able to enter Godʼs kingdom.

The origin of this following is said to have started from the arrival of Ferdinand Magellan in

1521. He presented the image of the child Jesus, the Sto. Niño, as a baptismal gift to Hara

Amihan, wife of Rajah Humabon. Hara Amihan was later named Queen Juana, in honor of

Juana, mother of Carlos I. Along with the rulers of the island, some 800 natives were also

baptized to the Roman Catholic Church. At the moment of receiving the holy image, it was said

that Queen Juana danced with joy bearing this image of the child Jesus. With the other natives

following her example, this moment was regarded as the first Sinulog.

It is interesting to note that while some festivals find their origin from this incident in Cebu, the

Ati-atihan was the original street celebration centuries before the Sinulog and Dinagyang

festivals. It was first celebrated as a pagan festival in honor of anitos or pagan gods of the

native people before the Spanish arrived, commemorating the arrival of the Bornean datus.

There are critics who have lambasted these festivals for their show business and tourism related commercialism and lamented the loss of authentic prayer and worship.  It is, however,

undoubtedly a cultural expression and a part of Philippine history. According to National Artist

Nick Joaquin, It is such a symbol of Philippine history because it came with Magellan, became

Arts and Culture a native pagan idol, was reestablished as a Christian icon by Legazpi, and has become so Filipino that native legends annul its European origin by declaring it to have arisen in this land and to have been of this land since time immemorial. During that strange interlude when the Spaniards left after Magellanʼs death, the wondrous miracle happened: we accepted the Santo Niño as part of our land, part of our culture, part of our history.  During those 44 years when the Cross had vanished from our land, the Santo Niño kept us faithful to him. The Santo Niño, Joaquin further stresses, connected, linked and joined together our pagan and Christian culture;

he belonging to both.

Today, the image of the Santo Niño can be seen almost anywhere, and even in the most

unlikely places. But the most important place for one to express his/her devotion to the Child

Jesus is no less in the heart.

* This article was written for January 2012 issue of Pinoy Living Today.

From Songs of Worship to Mania: “One” and the “Coco/Maja/Angeline show” in Edmonton

Nov. 13 - Fourteen groups and artists gathered together in one big concert aptly titled “One” at the Gateway Alliance Church.  An evening of worship in music, dance and drama, it brought together groups of varying faith denominations and cultural background from different parts of Edmonton, with the desire to share their talent, and spiritual messages and experiences.  Worship, after all, is a community experience.

Participating groups were the: Christ Centred Mission Church, Church of the Holy Trinity Levites,  Filipino International Baptist Church, Gateway Worship Team, Gateway Youth,  Journey Youth Ministries of Journey with Christ Church, Pacific Island Dance Troupe, PureBride of Jesus is Lord, St. Dominique’s Couples for Christ, Soul 2 Soul; and crowd favorites, The Philippine Choral, Indonesian Christian Fellowships and artists Bernard Quilala and Wency Calderon.

Conceptualized by Dr. Leonila Mateo, despite just a month spent for planning, it produced an impressive amount of performers and audience.  Notwithstanding technical difficulties and programming gaps, the concert served its purpose of celebration, unity, forgiveness, redemption and faith.  The night ended with the song “God of this City”, with the words “For greater things have yet to come, and greater things are still to be done in this City” ringing in our heads, providing all the belief and strength needed to accomplish whatever we have set for ourselves in life.

---------------------------------------------------------------------

Nov. 27 -  On a 3-day whirlwind concert tour in Canada (Nov. 25 in Saskatoon, Nov. 26 in Calgary), Coco Martin, Maja Salvador and Angeline Quinto performed to a jam packed audience at the River Cree Casino, Edmonton.  The three artists arrived at a luncheon straight from a road trip from Calgary for a “Meet and Greet” with the Edmonton guests, making their engagement at least a 5-hour performance (taking into account both the main concert and pre & post concert reception).  

The evening concert was like a reunion of sorts for us, with people greeting friends almost every 5 meters on their way to their seats.  It must have been the biggest gathering of Filipinos that I have witnessed.  Front act performers were Macky (who hails from Australia) and Darren Espanto (from Calgary and Pinoy Singing Sensation 2011 Champion).  And as expected, as soon as the house lights dimmed and spotlights descended on main feature opener Maja Salvador onstage, the mania started.

Coco Martin and Maja Salvador are both more known for their acting credits, with independent films and soap operas respectively, than for their live performance skills.  The duo, in fact, have no qualms hinting about their ‘pretensions of being a singer’ and capitalizing on their charms and physical attributes rather than their vocal prowess.  Nevertheless, entertain they did and much to the delight of their screaming and titillated fans.  Coco also related his experience of being a foreign worker in Alberta - endearing himself further to the already smitten crowd.  

The true talent of the concert was Angeline Quinto, who was impressive with her full voice, crystal clear pitch and unbelievable range.  The three stars, true stalwarts of their mother company, also did strong pitches for ABS-CBN’s flagship charity project, Bantay Bata.  

All in all, I was an audience for both the performances onstage and of the crowd, who just completely amused me with their uninhibited adulation and humorous heckling of audience participants.  It was that side of the Filipino seldom seen and rarely experienced, in all our preoccupation and seriousness in living the daily grind.  The stars did sizzle, and the crowd responded with equal fervor, raising the emotional temperature of the evening and turning it into a welcome respite from the freezing temperature of Alberta. (Concert photos courtesy of Earl Golveo.)

* This article was written for the December issue of Pinoy Times.