Philippine Warrior Arts Society at the Edmonton Filipino Fiesta

The Philippine Warrior Arts Society is one of the participants in the Philippine Festival Parade at the Edmonton Filipino Fiesta on June 11 and 12, 2016 at the Sir Winston Churchill Square.

The Philippine Warrior Arts Society was convened on July 6, 2012, for the sole purpose of preserving and promoting authentic and original Filipino martial arts systems. They strive to seek the truth in combative efficiency and ensure that the Filipino martial arts actually follow the principles of combat applicability that they are known for.

They are dedicated to helping all Filipino-origin combative styles, and are committed to ensuring high standards of quality and professional instruction among their membership.

Anyone wishing to join must be free of personal and martial baggage, and have an open mind and be willing to learn and improve their combative abilities.

Those interested can message Guro Ollie through Facebook, or call 587-708-2000.

Timpuyog People's Club of Canada at the Edmonton Filipino Fiesta

Timpuyog People's Club of Canada is one of the featured performers in the Edmonton Filipino Fiesta on June 11 and 12, 2016 at the Sir Winston Churchill Square.

Timpuyog People's Club is a non-profit organization founded in the year 2008 which are joined by all Filipino individuals living in Canada regardless of sex, religion, occupation and ethnic diversity with the following objectives:

1. To establish unity and camaraderie among members.
2. To cultivate, understand and promote cultural diversity.
3. To act as a support group to all members in need.

Kalinga Edmonton Association at the Edmonton Filipino Fiesta

The Kalinga Edmonton Association is one of the featured performers in the Edmonton Filipino Fiesta on June 11 and 12, 2016 at the Sir Winston Churchill Square.

The Kalinga Edmonton Association is an organization composed of Kalinga people based in Canada as overseas Filipino workers and immigrants of this wonderful country.

The Province of Kalinga is a landlocked Province in the Cordillera Administrative Region, north of Luzon in the Philippines. United by our strong sense of tribal membership and filial loyalty, the Kalinga people are able to preserve their culture despite centuries of occupation by the Philippine conquerors in the history of their native land. Thus wherever they are, and whatever situation they are in, the resilience of Kalinga culture, bound by a deep regard of Filipino spirit live on.

Aliwan Fiesta: the Mother of all Fiestas

Philippine culture is rich in rituals and celebrations of all kinds. And with the varied cultural influences, we are rife with fiestas that are both of pagan and Christian origins, observed all throughout the year. Each fiesta distinct from others, i.e. the rhythm of the Ati-Atihan, the colours of the Panagbenga, the masks of the Moriones, the creativity of the Pahiyas, among others. They are diverse and so spread out in time and geography that it will take years to be able to witness a majority of them.

The Manila Broadcasting Company conceived of a brilliant idea of an annual event gathering the different cultural festivals in the Philippines at the Star Complex in Pasay City. This event is the Aliwan Fiesta, dubbed as the Mother of all Fiestas. Started in 2003, its objectives are two-pronged: to showcase the country’s cultural richness and diversity, and promoting economy and tourism for the respective regions. Initially held as a Christmas extravaganza, it has then evolved as a summer celebration, in the months of April or May.

The Aliwan Fiesta brings together about 5,000 dancers, musicians and artisans who compete for prizes totaling to 3 million pesos. The regional contingents perform in a 4 kilometer stretch along Roxas Boulevard, marked by street dancing and gigantic floats. The participating floats are required to utilize only local textiles, produce, and other products representative of their region. Thousands of people brave the heat and line up the streets to witness this 7 hour spectacle. Major categories for the event are: PasaKalye, the Inter School Dance Competition; Reyna ng Aliwan, the Beauty Pageant for Festival Queens; the Float competition and the Street dancing competition.

Scheduled in 2013 for April 11-13, the 19 featured contingents are: Ang Tipulo festival of
Antipolo; Pamulinawen festival of Laoag, Ilocos Norte; Panagbenga festival of Baguio; Bangus festival of Dagupan, Pangasinan; Mango festival of Zambales; Pandang Gitab festival of Oriental Mindoro; Mahaguyog festival for Batangas’ Ala-eh; Fiesta de Toros of Nasugbu; Unod festival of Castilla, Sorsogon; Lumad Basakanon for the Sinulog of Cebu; Tribu Panayanon for Iloilo Dinagyang; Salakayan of Miag-ao for Iloilo’s Kasadyaan; Kabankalan’s Sinulog for Negros Occidental; Pasaka festival of Tanauan, Leyte; Tuna festival of General Santos; Padang-Padang festival of Parang, Maguindanao; Sagayan festival of Buluan, Maguindanao; Zamboanga Hermosa festival; and Kalivungan festival of Midsayap, North Cotabato.

Previous years’ winners have been: the Dinagyang Festival of Iloilo City (also the first to be inducted into the Aliwan Hall of Fame); the Sinulog Festival of Cebu; the Sinulog sa Carmen, and Lumad Basakanon, also from Cebu; and Halad Festival of Midsayap, Cotabato.


Other activities, aside from the major categories for the competition, include design and photo exhibits, and a shopping bazaar. These are booths showcasing indigenous handicrafts, garments, jewelries, accessories, delicacies and agricultural products - giving the public a flavor of each participating region. In a single location, one can find: the dreamweavers’ creations from the T’nalak festival in Koronadal, South Cotabato; the Ilokano damili pottery; the Pampanga lanterns; and Marikina footwear, among others.

Few countries can boast of a culture as diverse and as numerous as the Philippines, reflected in the music, the movements, the rituals, the beliefs, and the industry. And the fiestas provide a creative and economic outlet for its peoples.


So if visiting or going back to the Philippines is in your near future bucket list, consider timing your visit around the dates of the Aliwan Fiesta. You not only are treated to a visual cultural spectacle, but you get to witness a gathering and celebration of what the 7,107 islands of the Philippines can offer.

* This article was written for and published in the April 2013 issue of the Pinoy Times.

The Filipino Christmas Lantern

In a multi-cultural society such as we live in, we encounter different celebrations, symbolisms and customs in the month of December. There are those who enthusiastically celebrate Christmas, Hanukkah, the winter holidays and those who do not believe in celebrating anything at all. As Filipinos, we have learned to be recognizant of this fact but at the same time, cling to our memories and experience of a Filipino christmas.

A most distinct symbol of a Filipino Christmas, among others, is the Christmas lantern or what is most widely known as the “parol”. The parol is so iconic that some of us would remember having this as one of our school projects in elementary, made with bamboo sticks and Japanese paper. Today, there are a variety of designs, shapes and sizes - utilizing: indigenous materials like capiz shells, straw, wood; modern materials like fiber glass, metal; psychedelic lights and music. But what is constant in the design is the five-pointed star.


The parol is derived from the Spanish word “farol”, for lantern. It is an image of the star of
Bethlehem, the guiding light of the Three Kings to the manger and metaphorically, a symbol of hope and joy for the yuletide season. It is believed that the original design was crafted by Francisco Estanislao in 1928. This lantern was used by rural folk to light their paths for the dawn masses.

The creativity and ingenuity embedded in the parol design and production, has given rise to
competitions whether in the school, community and national levels, and with some Filipino
communities in other countries. Two such events in the Philippines that I have had the pleasure of witnessing are: the Giant Lantern Festival in Pampanga and the Lantern Parade of the University of the Philippines, Diliman.


The Pampanga Giant Lantern Festival is a competition of giant parols that are about 40 feet circumference, with lights that are programmed to music. A lantern would approximately weigh at least 1000kg and would have a minimum of 50 people working on it an entire year. The months of January to May are often devoted to laying out the electrical framework, June to July for the electrical wiring and August to December for papering and accessorizing. Then once the competition is done, itʼs back to the drawing board for next yearʼs concept and design. Each  lantern would require a generator that is powerful enough to light a barrio. This visual display of lanterns are akin to the famous fountain choreography of the Bellagio in Las Vegas.

The festival is sponsored by business and private organizations, which enables the city
government to provide a subsidy to the participating barangays. Participants come from San Jose, Dolores, Lourdes, Sto. Rosario, Del Pilar, San Pedro, Sto. Niño, Sta. Lucia, San Nicolas and San Fernando. The lanterns are judged on the basis of design, color combination, interplay of lights and rhythm to the music.


The University of the Philippines Lantern Parade is also a visual spectacle, marked with a
social consciousness thematic approach, showcasing the critical thinking and ingenuity of the ʻskolars ng bayanʼ. The first Lantern Parade was in 1922 when the UP community used
lanterns to light their way to the church for the Christmas midnight mass. It was then
institutionalized as a university event in 1934 by University President Jorge Bocobo.

It is a parade of large lantern/floats around the university oval, taking place on the last day of classes before the Christmas holiday, and after a couple of hours of the popular Oblation Run.  The floats feature the diverse causes of the different colleges of the university like government corruption, LGBT equality, foreign dominance, and other political issues.  Aside from the lantern, there are also presentations in key stops for the judges. Cash prizes are allotted for those judged as Overall Best Lantern Grand Prize, Judges Choice and Most Resourceful Awards.  This parade likewise attract thousands of people in the city and is normally a media event.

These use of the parol as a holiday decoration, treat and event is a tradition that marks the
Filipinosʼ creativity, ingenuity and conviction. Whatever your tradition or reminiscences are for this holiday season, I wish everyone a joyous and prosperous season!

* This article was written and published for the December 2012 issue of Pinoy Living.

The Santo Niño Festivals

January is marked in the Philippines with several festivals honoring the Sto. Niño or the Holy Child. The most famous is the Sinulog Festival in Cebu City, but in other parts of the country, there are: the Ati-Atihan Festival in Kalibo, Aklan; Dinagyang Festival in Iloilo City; Binanog Festival in Lambonao, Iloilo; Biniray in Romblon; Binirayan and Handugan in Antique; Pachada Senor in Cagayan de Oro City; Kahimunan in Butuan City; Zambulawan in Pagadian City;

Sinulog (Kabangkalan) Festival in Kabankalan City, Negros Occidental; the Makato Sto. Niño Festival in Poblacion Makato, Aklan; the Kahimunan Festival in Libertad, Butuan City; Batan Ati-Ati Malakara Festival in Poblacion Batan, Aklan; the Bansudani Festival in Bansud, Oriental Mindoro; the Altavas Sto. Niño Festival in Poblacion Altavas, Aklan ; the Ibajay Ati-Ati Municipal and Devotional Fiesta in Ibajay, Aklan; the Dinagsa Ati-Atihan Festival in Cadiz City, Negros Occidental; the Hinirugyaw Festival in Calinog, Iloilo; the Sto. Niño Festival in Malolos, Bulacan; and the Tondo Fiesta, in Manila.

These celebrations are usually marked by nine-day novenas or masses in honor of the Sto.

Niño, grand processions of folk, antique and new images of the Holy Child, street dancing,

beauty pageants, flea markets and fireworks. Images of the Sto. Niño are varied, reflecting an

individualʼs occupation or preference - as a sleeping child, a keeper of the world, a shepherd

boy, a student, etc. It has been observed that this image is the most dressed among all images.

The Filipinosʼ devotion to the Santo Niño reflects a love for children, who are usually a familyʼs

source of inspiration and joy. The Catholic Church in the Philippines sets the Holy Child as an example of humility, and as a celebration of the Incarnation. The Child Jesus is also a powerful

gospel statement that in becoming like little children will we be able to enter Godʼs kingdom.

The origin of this following is said to have started from the arrival of Ferdinand Magellan in

1521. He presented the image of the child Jesus, the Sto. Niño, as a baptismal gift to Hara

Amihan, wife of Rajah Humabon. Hara Amihan was later named Queen Juana, in honor of

Juana, mother of Carlos I. Along with the rulers of the island, some 800 natives were also

baptized to the Roman Catholic Church. At the moment of receiving the holy image, it was said

that Queen Juana danced with joy bearing this image of the child Jesus. With the other natives

following her example, this moment was regarded as the first Sinulog.

It is interesting to note that while some festivals find their origin from this incident in Cebu, the

Ati-atihan was the original street celebration centuries before the Sinulog and Dinagyang

festivals. It was first celebrated as a pagan festival in honor of anitos or pagan gods of the

native people before the Spanish arrived, commemorating the arrival of the Bornean datus.

There are critics who have lambasted these festivals for their show business and tourism related commercialism and lamented the loss of authentic prayer and worship.  It is, however,

undoubtedly a cultural expression and a part of Philippine history. According to National Artist

Nick Joaquin, It is such a symbol of Philippine history because it came with Magellan, became

Arts and Culture a native pagan idol, was reestablished as a Christian icon by Legazpi, and has become so Filipino that native legends annul its European origin by declaring it to have arisen in this land and to have been of this land since time immemorial. During that strange interlude when the Spaniards left after Magellanʼs death, the wondrous miracle happened: we accepted the Santo Niño as part of our land, part of our culture, part of our history.  During those 44 years when the Cross had vanished from our land, the Santo Niño kept us faithful to him. The Santo Niño, Joaquin further stresses, connected, linked and joined together our pagan and Christian culture;

he belonging to both.

Today, the image of the Santo Niño can be seen almost anywhere, and even in the most

unlikely places. But the most important place for one to express his/her devotion to the Child

Jesus is no less in the heart.

* This article was written for January 2012 issue of Pinoy Living Today.

First Filipino-Canadian Gala

The First Filipino-Canadian Gala was held last September 17 at the Northlands Edmonton Expo Centre.  A night of dinner, entertainment and dancing, it was a celebration of Filipino-Canadian achievements and a way of giving back to the community.  The net proceeds from ticket sales and auctions were earmarked to the Edmonton’s Food Bank.

On hand to deliver special greetings for the event were: Minister of Public Works and Government and Minister for Status of Women Rona Ambrose; Executive Director of Edmonton’s Food Bank Marjorie Bencz; Chair of Edmonton’s Food Bank Board Anne Smith; Ward 12 Councillor Amarjeet Sohi; and President and CEO of Northlands Richard Anderson.

Along with the Philippine cuisine-inspired dinner, guests were treated to a night of Filipino talent: Philippine Choral Group, who sang the Philippine & Canadian national anthems; The Lucila Project, a neo-ethnic dance company; singers Wency Calderon, Jo-Ann Aguilar and Shwag choral group ; Alyssa & Monica Tungul, pianist & violinist, respectively; hiphop groups ILLustration and Hot Sauce; Saranay Kwerdas, an ensemble using traditional Filipino instruments; and bands The Sour Patch Kids and GERIS Project.  The Philippine Outreach Program was also honored and Filipino Canadians who passed away recently were remembered.

Guests may have come to enjoy themselves for the evening but generously participated in the “giving back” portion of the night through the silent auction items and live auction of a Lexus CT200 Hybrid car and some dinner and hotel packages, conducted by Kastner Auctions.

It was a highly successful event with about 800 people in attendance, a third of which were non-Filipinos who came out to support this Filipino fundraiser.  And with this success came pledges of support and participation for next year’s Filipino-Canadian Gala, which is slated for September 2012.  Credit goes to organizer Lixmila Serrano and partner producer Ramon Cifra for their boldness in conceptualizing and hurdling the various obstacles that come in organizing such a massive but elegant event, and for securing major sponsorships from Lexus of Edmonton, Dolce Vita Homes, Wild West Shooting Range and Sun Life Financial.    

The Filipinos are the fourth largest group of immigrants to Canada and many have established their niches in their adopted country.  They are great contributors to not only the Canadian economy but the Philippines as well, supporting family back home and actively participating in various fundraisers and causes in the Philippines.  This event was another manifestation of the Filipinos’ “balikbayan” spirit - that spirit of community and giving.  

* This article was written for and published in the Pinoy Times, October 2011 issue.

The Lucila Project at the Alberta Arts Days - A. Blair McPherson School, Edmonton

All across Alberta, from Sept. 30 - Oct. 2 were events marking Alberta Arts Days.  Alberta Arts Days began in 2008 as a one-day event to recognize the value of Alberta’s arts and cultural communities.  Since then, it has expanded into a vibrant, three day province-wide celebration that has helped inspire the creation of Culture Days, showcasing the province’s artists, arts organizations and cultural identities, while encouraging Albertans to discover the important role the arts plays in developing a prosperous, vibrant society.  This year, a total of 64 host celebration sites were chosen by the Govt. of Alberta Culture and Community Spirit.

This is a brainchild of Minister of Culture and Community Spirit Lindsay Blackett, who says “We’ve got so many great artists of all different types and genres in all different places, we have to come together as a province to celebrate it.”  He fondly refers this as the “Pied Piper” project, “We’re just going to keep adding people until every Albertan joins in, like the Pied Piper.”

In Edmonton, the three day event was marked in various ways: free admission to provincially owned historic sites, attractions and museums; Film & Writing workshops, and a Storytelling Festival at the Edmonton Public Library; tours of the Winspear and Citadel Theatres; Edmonton Symphony Orchestra open rehearsals and special performances; InFuse, by the National Black Coalition of Canada, Edmonton chapter; and workshops and exhibits from the artists at the Nina Haggerty Centre for the Arts.  Two schools were also chosen to participate in this Alberta Arts Days Initiative: the Bishop Greschuk Elementary School and the A. Blair McPherson School.

Amongst the artists showcased at the A. Blair McPherson (ABM) School Alberta Arts Days Celebration is The Lucila Project. This is a dance company specializing in modern ballet pieces infused with Philippine traditional customs and images.  Under the artistic direction of Jojo Lucila and Ida Beltran-Lucila, they held a dance photo exhibit, conducted a lecture-demonstration dance class and presented dances ranging from the contemporary, lyrical, athletic and tribal styles.  Their participation introduced the community to Philippine ethnic dances and traditions, music and modern ballet technique.

Other performers/artists at the ABM were: West African Dance Troupe (interactive workshop); French, German and Italian opera; traditional Indian dance; Prince Charles School Fiddlers and Dancers; Rosslyn School Chinese and Lion Dancers; 3rd Street Beat; Beaumont Society School of Dance; Bobby Boogaloo; Cindy Clarke The Clay Teacher; City Arts Centre Director’s Cut Program; Gail de Vos (Storyteller); Gail Sobat (Author); Jeff Hendrick (Saxophonist, Soul-singer, Songwriter & Canadian Producer); Shelley’s Dance Company; and Les Bucheron French Canadian Display.

It was a great couple of days for participating in art, dance and improvisation workshops, viewing exhibits, watching performances and shopping in the International Market.  The general feedback is enthusiasm for next year’s celebration, proving the concept of the Alberta Arts Days as a “Pied Piper” project.

* This article was written for and published in Pinoy Times, October 2011 issue.

Lifting the People’s Spirits through the Arts – Bacolod’s Masskara Festival

October marks the celebration of the Masskara Festival, which occurs from October 1-20 and celebrates Bacolod’s charter day anniversary, which is on October 19. The festival name is a morpheme of the word “mass” for crowd and the Spanish word “cara” for face. “Maskara” is also the Filipino word for masks, providing then the double meaning of “many faces” for the festival. This name was conceived by Ely Santiago – a painter, cartoonist, cultural artist and then President of the Arts Association of Bacolod.

A smiling mask is the symbol of the fiesta to reflect the happy spirit despite difficult times, and the locals’ nature of being strong willed yet warm hearted. The city is also known as the City of Smiles, so it is just fitting to hold a festival of smiles. The Masskara Festival was envisioned in 1980 when the people were suffering from an economic downturn of the sugar industry, the city’s main revenue. They were also grieving for hundreds of relatives and friends who perished in 1979 when a ship sailing from Bacolod collided with a tanker. The city’s leaders thought that a festival was an optimal way of rallying the people and lifting them from dejection.

The festival since then has evolved into a 20-day celebration with food fairs, mask-making contests, brass band competitions, musical concerts, beauty and talent pageants, a windsurfing regatta, competitions (pig catching, pole climbing, drinking, eating), trade fairs and exhibits. The climax is a mardi gras parade where revelers don elaborate masks and costumes, and dance in the streets. Everyone in the community participates – the civic associations, businesses, schools and government organizations. It has become one of the popular attractions in Negros, drawing thousands of people within and outside the country.

The Masskara Festival has also been judged the most beautiful and colorful festival among various contingents from other countries - notably in the Chinggay Festival in Singapore in 1988, the Lunar Festival of Hong Kong in 2001, in the International Tourism Festival of Shanghai in 2004 and in the Midosuji Festival Parade of Osaka, Japan, emerging as champion in the foreign category and first runner up in the local category – the first award to be given to a foreign participant in the 10-year history of that Japanese festival.

What was borne from a difficult time has propelled into a force that brings the community together, draws people from within and outside of the country, turns the economy around as one of the tourist destinations, and lifts the spirits of the people. The Masskara Festival is not based on any historical, religious or cultural premise but is definitely a creative undertaking. It is a manifestation of the people’s sentiments, their ingenuity and passion. And most importantly, it is a shining example of how one instinctively turns to art for expression, for escape, for hope and for celebration.

* this article was written for the October maiden issue of Pinoy Living, published in Calgary, Alberta, Canada

Edmonton Heritage Festival 2011

Edmonton celebrated its 36th Heritage Festival from July 30-August 1 at the Hawrelak Park.  An annual showcase and celebration of Canada’s vibrant multicultural heritage, it boasted of 63 pavilions representing more than 75 cultures.  Inititated in 1974, then Minister of Culture Horst Schmidt declared the first Monday of August an annual holiday to recognise Alberta’s ethnic diversity.  A cultural feast for the senses, it showcased food, entertainment and arts and crafts displays.

Philippine Pavilion

Philippine arts and crafts on display, for sale

the Department of Tourism display with Phil. Pavilion Overall Chairman Wilf Ladores and choreographer/director Jojo Lucila

young boys performing the Maglalatik

dancers of the Karilagan Dance Society

The Heritage Days is one of my favorite festivals in the city.  As you go from one pavilion to another and watch the cultural presentations, you glean the commonalities countries have - traits shared either by geographic proximity or colonization.  It is heartwarming to see people dressed in their national attires, proud to show off their ancestry and earnest in sharing it with others.  And in the true spirit of intercultural collaboration, I saw the Pacific Island Dance Troupe, a Filipino group presenting Philippine folk dances and Hawaiian dances, performing at the Polynesian Pavilion.

The Philippine Pavilion on the otherhand, was overseen by the Council of Edmonton Filipino Associations (CEFA) with Wilf Ladores as Overall Chairman, Josie Pallard as Arts & Craft Chair, Elmina Cochingco as Entertainment Chair and Mandy Servito as Food Chair.  Also present was the Department of Tourism, San Francisco office.  I have observed that the Philippine cultural presentations were mostly done by the Karilagan Dance Society these past years.  They have successfully presented numbers that showed youthful enthusiasm and appeal.  One just only wishes that there were some presentations by other Filipino cultural organizations and performing groups  as well, for a more inclusive event and truly representative of the Edmonton Filipino community.  Kudos, however, to the organizers, participants and volunteers for all their dedication and hard work in the Heritage Festival every year. 

* this article was written for the Pinoy Times, published in the August 2011 issue

Performance for Atienza - Wolfaardt Wedding

Jojo Lucila conceptualized a surprise number to celebrate the union of Mia Atienza and Ulli Wolfaardt last May 2011 at the Matrix Hotel.  With the Philippine Choral Group and select dancers of The Lucila Project,  it was a presentation of Philippine and South African songs and dance that brought everyone, especially the bride and groom and their family, to tears.