2018 National Artists - Seven Stalwarts of Philippine Art

Seven icons in art and culture were bestowed National Artist status by President Rodrigo Duterte in a ceremony last October 24, 2018 at Malacañang Palace. Do you know the songs Kay Ganda ng Ating Musika, Paraisong Parisukat and Tuwing Umuulan at Kapiling Ka? Have you been to The Coconut Palace or seen the San Miguel Building in Pasig? Do you remember chuckling at the humour of the Mang Ambo and Slice of Life comics? These are just some of the works of these artists. The 2018 National Artists are: Larry Alcala (for Visual Arts), Amelia Lapeña Bonifacio (Theatre), Ryan Cayabyab (Music), Francisco Mañosa (Architecture), Resil Mojares and Ramon Muzones (both for Literature), and Kidlat Tahimik (Cinema). The awards are bestowed posthumously for Alcala and Muzones. This brings to 73 the total of proclaimed National Artists of the Philippines, the highest national recognition bestowed on Filipinos who have made significant contributions to their artistic field.

Cartoonist and illustrator Larry Alcala is best known for his Slice of Life which depicts the quirks of the Filipino psyche. He pioneered animation for tv commercials in the late 1950s, and was given the title Dean of Filipino Cartoonists. He is the creator of 500 cartoon characters, 20 comic strips, six movies, two murals, and 15,000 published pages of comic strips.

Amelia Lapeña Bonifacio is the founder of Teatrong Mulat ng Pilipinas, a children's theatre and puppetry company based in the University of the Philippines (UP). Known as the Grand Dame of Southeast Asian Children's Theatre, she was also the chairperson of the UP's Creative Writing Program. Her literary output covers 20 books, 40 plays, 130 stories, and a number of essays and research on theatre.

Musician, composer and conductor Ryan Cayabyab, aka Mr. C, is probably the most famous composer of the century, having crossed over many disciplines and industries. His body of works range from theatre musicals, commissioned full-length ballets, an opera, a Mass, popular music, film scores, tv specials, and orchestral pieces. He has been a recipient of numerous awards, i.e. Philippines' Ten Outstanding Young Men, 2001 Onassis International Competition in Greece, as well as accolades from the film, television and recording industries.

Architect Francisco Bobby Mañosa is known for his designs using indigenous materials and forms (i.e. bahay kubo, bahay na bato), combined with modern building technology. Among his iconic designs are: the Coconut Palace; Amanpulo Resort in Palawan; Pearl Farm in Samal Island; Shangri-La Hotel in Mactan; the San Miguel Building in Mandaluyong; and the EDSA Shrine. He was among those proclaimed National Artists in 2009 by President Gloria Arroyo but was rescinded by the Supreme Court due to legalities in the proclamation.

Writer, historian and literary critic Resil Mojares' writings focus on literary criticism, urban and rural history, and political biography. He is the founder of the Cebuano Studies Center, a library and research center dedicated to Cebuano culture and history. Because of his significant work on Visayan literature, he is touted by peers as Visayan Titan of Letters. He has won numerous National Book Awards by the Manila Critics Circle and was honoured with a Gawad Balagtas award from the Unyon ng Manunulat sa Pilipinas (UMPIL).

Ramon Muzones completed his law degree at the Central Philippine University in Iloilo City. He founded Sumakwelan, a group of Hiligaynon writers, and has 62 novels to his name. He was awarded the Gawad Pambansang Alagad ni Balagtas from UMPIL in 1988, and the Cultural Center of the Philippines' Gawad para sa Sining in 1989. He passed away in 1992 at the age of 79.

Kidlat Tahimik (real name Eric de Guia) is widely regarded as the father of independent Philippine cinema. He earned his MBA from Pennsylvania's Wharton Business School and worked in Paris for the Organization of Economic Cooperation and Development. It was a chance meeting and a small role in Werner Herzog's film that started Kidlat's film career. His first film, Perfumed Nightmare in 1977, won the International Critics Award at the Berlin Film Festival. Since then, he has acquired international and local awards for his films, and has inspired filmmakers to pursue their vision, independent of commercialism.

These are some of the artists who have forged paths in Philippine art and culture and are a source of national pride. The bestowment of the National Artist Award is valuable in that nominations come from peers and as proclaimed by the President of the Philippines, is the highest state honour conferred to artists. May the legacy of all National Artists continue to be recognized and appreciated by Filipinos, in the Philippines and globally, for the present and the succeeding years.

* This article was published in the November 2018 issue of the Alberta Filipino Journal.

The Philippines in focus for Alberta Culture Days 2017

As Prime Minister Justin Trudeau declares, diversity is Canada’s strength. With its immigration policy, Canada has developed a society of varying cultures, languages, and sensibilities. To this end, numerous initiatives are undertaken in the promotion of multiculturalism in all facets of Canadian society.

One such event is Culture Days, a 3-day event held annually on the last weekend of September. The Alberta Culture Days actually started in 2008 as Alberta Arts Days, and was instrumental in the creation of Culture Days, a nation-wide event to “raise awareness, participation and engagement of all Canadians in the arts and cultural life of their communities.

One such event this year, and has been selected as an official celebration site for Alberta, is Kalinangan, organized by the Philippine Arts Council. It will be held on September 30, 2017, 1-7 pm, at the ACCA Centre, 3530 91 Street, Edmonton. Kalinangan, in its many variance of use, is the Tagalog word for culture, way of life, or cultivation of learning. This event features back-to-back workshops on Philippine dance, music, visual arts, and martial arts, among others:

• Filipino Image Painting - acrylic artist Mila Bongco-Philipzig, assisted by portrait-artist Heidel Valeriano, will guide participants into creating their own artwork on a chosen Philippine image.
• Philippine Folk Dance and Modern Transformations - Facilitated by established choreographer & director Jojo Lucila, this is a workshop on Philippine folk and ethnic dances, encompassing cultural contexts and imageries of movement, which will serve as framework in the translation and/or adaptation of folk/ethnic movements to modern westernized dance idioms.
• Emma the Musical and Indigenous Instruments Workshop - Emma is an original musical by Chie Floresca and Erica Cawagas. Scheduled to premier in 2018, it is a play inspired by the perseverance and resilience of the Filipino spirit. The workshop will include a mini-talk on the creative process of the musical, a performance of excerpts, and hands-on instruction on indigenous instruments. The workshop will be facilitated by Erica Cawagas, Kreisha Oro and the Filipino-Canadian Saranay Association.
• Filipino Martial Arts - the Philippine Warrior Arts Society in Edmonton instructs on Pekiti-Tirsia Kali, a style specific to Filipino martial arts, founded in 1897 and is the system of the Tortal family in the Philippines. It is strictly a combat-oriented system, as opposed to sport-focused style. It is a fighting system that focuses on the knife and machete/sword for combat and has been adopted by elite Philippine military and law enforcement units around the world.
• Meet the Authors and Book Signing
• Annie Chua is the author of Domestically Yours: A Caregiver’s Inspiring Journey, a chronicle of Annie’s experiences under the Live-in Caregiver Program in her quest to create a better future for her four daughters, at the same time leaving them behind in the Philippines.
• Mila Bongco-Philipzig is the author of 2 children’s books: Sandy Beaches to Snow, Snow to Sandy Beaches is a child’s story about a family coming from a tropical place to a land of ice and snow, mirroring the author’s own move from the Philippines to Edmonton; and Good Night Philippines, Good Night World, a story of different places tenderly saying goodnight to each other, as separated Filipino loved ones bid each other good night.
• Work in Progress: Graphic Book on Migration - An illustration on the story of migration to Canada. A Canada 150 project of Migrante Alberta.

Culture Days starts on September 29. Check out the Culture Days website for activities going on all over the country. Get involved...plan your activities...diversify. And if you’re Filipino or of Filipino descent, do not be a stranger to your own country. Or live what you know and remember about being a Filipino. It is to be noted that among the official celebration sites in Alberta, it is the Philippine Arts Council, with Kalinangan, whose main focus is Philippine arts and culture. To participate, support and for more information on Kalinangan, visit philippineartscouncil.com.

This article was published in the August 2017 issue of the Alberta Filipino Journal.

Bethany Briones: an Exemplar in Education

The Edwin Parr Teacher Award was established in 1964 by the Alberta School Trustees’ Association. This award is presented annually to a first-year teacher who exemplifies dedication to students, as exemplified by Edwin Parr, an educator and community leader. Each education zone in Alberta brings forward their own representative, and for this year, Edmonton Public Schools (EPSB) has selected, out of four first year EPSB teacher finalists, Bethany Briones.

Bethany is a Grade 1 teacher at Ormsby School. She is cited by senior administration as a teacher who strives to provide the best possible learning environment and experience for their students, developing strategies that can be adapted to meet all of the learning levels and styles in the classroom. What is distinct with Bethany is her use of art and music when adapting to students’ learning styles - the use of visual, auditory and kinesthetic learning. She incorporates music into her classroom routines & leads the class in a morning song which offers a special time to showcase each student and their gifts. She took a leadership role with the school’s music program - organizing the handbell choir and leading them in performances. She has also accompanied the choir on the piano, inspiring students to learn the piano, and eventually offering free after-school piano lessons to disadvantaged students.

Bethany is the daughter of Paul and Maria Allen Briones. We have known this family since our first year in Canada more than a decade ago. When we established our dance company, Chameleon Dance Edmonton, Bethany was one of our original dancers. She was the youngest and probably the gutsiest. She had no qualms and no inhibitions traversing unknown territory and the discipline we demanded on our dancers. As I got to know her, I realize that this is her pattern and approach to all her challenges and adventures.

Edmonton Public Schools Awarding

Bethany is a dutiful daughter. It was due to her parents’ prodding that she studied piano at the age of 5, and later on, guitar lessons and dance classes with Chameleon. She was also active in school sports, leadership activities, volunteer work and church activities. In all these endeavours, she would throw herself 100%, challenged into overcoming difficulties, and recognizing that one can achieve anything with determination and hard work. She was awarded the Superintendent’s Award in Gr. 9 and a Rotary scholarship in Gr. 12.

Bethany’s servant leadership revolves around education and the church. Even as a young girl, she had always wanted to be a teacher, working with children and being instrumental in providing them a better life and opportunities for growth. She recognizes the importance of a good foundation brought about by a strong family unit and faith in God, as exemplified by her own family. She also acknowledges that not everyone is fortunate enough to have this. It is interesting to note that, even though Bethany dabbled into the arts as a form of recreation, and she does not consider herself first and foremost an artist, her distinct mode of service and giving back is music and dance. As she had found enjoyment and life lessons on discipline with piano and dance, she shared these when she assisted school and church choir and band performances, and choreographed the school musical as a student. Now as a teacher, she is providing students who would have no way of affording piano lessons, a safe space, an alternative form of expression and recreation, and inspiration and motivation to achieve more. She has shown leadership and initiative by partnering with Alberta Music Education Foundation in providing keyboards to her students.

Bethany with her parents, Paul and Allen Briones

Bethany is just on her first-year of teaching and has shown compassionate and enthusiastic leadership. One that is honed by strong family love and support, divine faith and a quest to make life better for herself and for others. Whether or not she is handed the Edwin Parr Award later this year, she is an exemplar as a daughter, a student and a teacher. Ever heard the phrase that one lives up to the meaning of one’s name? I looked up the meaning of Bethany and came up with “house of song” and “daughter of the Lord”.

This article was published in the April 2017 issue of the Alberta Filipino Journal.

Timpuyog People's Club of Canada at the Edmonton Filipino Fiesta

Timpuyog People's Club of Canada is one of the featured performers in the Edmonton Filipino Fiesta on June 11 and 12, 2016 at the Sir Winston Churchill Square.

Timpuyog People's Club is a non-profit organization founded in the year 2008 which are joined by all Filipino individuals living in Canada regardless of sex, religion, occupation and ethnic diversity with the following objectives:

1. To establish unity and camaraderie among members.
2. To cultivate, understand and promote cultural diversity.
3. To act as a support group to all members in need.

Koro Filipino at the Edmonton Filipino Fiesta

Koro Filipino is one of the featured performers in the Edmonton Filipino Fiesta on June 11 and 12, 2016 at the Sir Winston Churchill Square.

Well-known in the performing arts community as one of Edmonton's leading Filipino show choirs, Koro Filipino (formerly The Philippine Choral) actually started as a small church choir in 1991. Through their unique harmonies, they inspired many churchgoers with their uplifting spiritual hymns and mass songs. Their love for music and community service eventually widened their repertoire to include classic and contemporary Tagalog songs as well as English, French, Spanish, Italian, Polish and even South African pieces.

Today, Koro Filipino boasts of 21 energetic singers eager to captivate and engage their audience with their signature showmanship. They have had numerous concerts all around the city including a sold-out performance at the Winspear Centre. They are often asked to perform at Filipino events, senior centres, and civic functions that showcase cultural talent. As well, they are sought after for weddings, anniversaries, and other private functions.

Although they have grown in number and reputation, Koro Filipino never forgot their roots as a church choir. They still sing regularly at Sunday masses at various parishes. And every Christmas, the make a special music ministry at the Simbang Gabi (Filipino Christmas Night Mass). Koro Filipino singers are truly perfect music ambassadors of Filipino-Canadian goodwill.

Edmonton Filipino Fiesta 2016

Everyone is invited to Sir Winston Churchill Square on June 11 and 12, 2016 to celebrate Edmonton's first Filipino

Fiesta!

"Fiesta" means festival and they are a renowned tradition of the Philippines. Held in almost every town and province in honour of each locale's patron saint, these joyful and grand celebrations are at the heart of Filipino culture. The fiesta is also about thanksgiving for a bountiful harvest, the blessings of a full life, an observance of local rituals, and a commemoration of local milestones or significant events.

Typically, fiesta activities are held in churches, town plazas or town squares, and homes but often spill into the streets where people of all ages and walks of life take part in parades, processions, and other colourful activities. The celebrations always involve a feast of food and, of course, a lot of music and dancing!

"Edmonton is known as Festival City and well over 40,000 people of Filipino descent call Edmonton home so it seemed a natural fit that we finally celebrate a fiesta here," said Tony Santiago, one of the event organizers. "We are excited to host this fiesta and look forward to sharing our culture and traditions with everyone!"

Edmonton Filipino Fiesta
June 11 and 12, 2016
Churchill Square, Edmonton
Free admission. Donations for the Food Bank are most welcome.

Edmonton Filipino Fiesta will feature something for the entire family:

June 11, Saturday (12 noon to 10 p.m.): mini-parade, talent showcase and street dancing in the Square
June 12, Sunday (11 a.m. to 5 p.m.): Filipino outdoor mass, martial arts workshop, talent showcase
All weekend: bouncy castle, face painting, crafts and story time

A market place with food kiosks, exhibitors and vendors will also be onsite.

Facebook: Edmonton Filipino Fiesta
Twitter: @yegpinoyfiesta
Instagram: @yegpinoyfiesta

Edmonton Performing Groups: Philippine Choral and Pacific Island Dance Troupe

For this issue, I would like to spotlight on two Edmonton performing groups, both of which have shown passion and dedication to their respective artistic endeavors - the Philippine Choral with leaders Artie Atienza, Ray “Bart” Kavinta and Chito Atienza; and the Pacific Island Dance Troup, headed by Emily Soriano.  These two groups we have continually worked with, due to both our respect for their artistic outputs and the friendships we have developed.  They are also featured performers in the upcoming Philippine Arts Festival this June at the University of Alberta’s Myer Horowitz Theatre.

Philippine Choral

The Philippine Choral was formed in 1991 from a group of friends who constantly gathered in basements for karaoke nights.  Fortuitously, they discovered at that time that Mil Villareal, Cebu’s best musical director and regarded by many as a musical genius, was quietly retired in Edmonton.  Through mutual friends, they were able to set up a meeting, and immediately worked on  forming a four voice group.  Within a week they had a four-part choral harmony of the kundiman “Dahil Isang Bulaklak” down pat.  Composing this founding group, among others, were Ferdie Belvis, Onie Nitoral, Rene Alcantara and Delia Marsh - who the other members fondly recall as their Tony Bennett, Ray Valera, Yoyoy Villame and Barbara Streisand, respectively.  And of this original group, five are still active members of the choral - Artie Atienza, Alex de Leon, Chito Atienza, Gilda Yee, Leny Dagondon.

This love of singing then branched out to the local church community in Edmonton.  Currently, they are now one of the most sought after cultural performers for major events, community functions and special promotions throughout the city of Edmonton. And  with these increasing engagements, came an expansion of their repertoire to Filipino, English, Spanish, Italian and French song favorites.  In 1999, they had a major concert at the Winspear - the first Filipino group to perform at this prestigious venue.  This sold out concert featured a 10-piece orchestra, culled from members of the Edmonton Symphony Orchestra.  Other concerts were held at the Myer Horowitz Theatre and Victoria’s Eva O. Howard Theatre.  They also had a road tour of Filipino restaurants for a period of three weeks.  A pipe dream is a performance of songs of faith, hope and love in a stone-built Catholic cathedral.

Current membership is a high of 24, comprising 8 sopranos, 6 altos, 5 tenors and 5 bass, always of Filipino descent.  An exception however, was made when Angela Chen, of Taiwanese descent and who earned her Master’s Degree in Music and Voice from a conservatory in Vienna, wanted to join.  Fluent in 6 languages, she was able to tackle the Filipino lyrics competently.  Membership is open to both professionals and non-professionals, Filipino or non-Filipino - the essential requirement being a pure love for singing.

Moving on to its third decade of existence, the group shows no signs of slowing down.  For the members, their continued rehearsals is a source of therapy and a good excuse to share food and drinks.  It has enabled them to simultaneously fulfill a passion and establish friendships.  This all together gives a whole new meaning to their title as Musical Ambassadors of Filipino-Canadian Goodwill.

Pacific Island Dance Troupe

Last April 20, the Pacific Island Dance Troupe had their 7th Luau, and indeed it turned out to be a night of hawaiian/polynesian dancing, games, and good food.  On hand were booths for face painting, photo booths, crafts table, and jewelry.  People came decked in Hawaiian attire and reveled in the performances of hula, tahitian, and a few modern take dances.  The event showed all the traits of the indefatigable Emily Soriano, who harnessed her years of experience as a cultural dancer in the Philippines, an event organizer, her good eye for design and penchant for fun.  This group, who not only performs Hawaiian/Polynesian dances but also Philippine folk dances, has consistently participated in Heritage Days and community events.  It adds another dimension to the interesting landscape of Filipino offerings in the Edmonton arts scene.

* This was written for and published in May 2012 issue of Pinoy Times.

Celebrating the Filipino Artist - the Philippine Arts Festival

Philippine Choral

Filipino artists take center stage in the Philippine Arts Festival on June 23, 2012 at the University of Alberta’s Myer Horowitz Theatre.  On its 2nd offering, the festival is a bi-yearly celebration of the arts, life and the spirit of the Philippines.  It is a multi-disciplinary festival of theatre, dance, classical and contemporary music, film, literature, visual arts, design and more.

Filipino-Canadian Saranay Association

A brainchild of yours truly as Festival Director and choreographer Jojo Lucila as Artistic Director, the Philippine Arts Festival aims to increase awareness and promote the public’s appreciation of Philippine arts and culture; collaborate with artists and companies by initiating and producing new work; provide artists of all ages and at all stages of their career with greater exposure, recognition, networking opportunities and professional development; and to forge unity and community spirit within the Filipino community.

So what was the impetus for this project?  Living in another country lends a new perspective on your own culture - things that one tend to take for granted.  I have worked with foreign artists in the past who have remarked on the incredible talent of the Filipinos, and all the while I thought that they were merely paying lip service.  Now, far removed from my home country, I realize that they were simply stating a fact.  And Filipino artists, all over the globe and in various disciplines, continue to give us pride and honor with their work.

Through this Philippine Arts Festival, we salute our artists and provide them a vehicle to showcase their talent, works and legacy.  We remember our country and the people who have shaped our culture through their art and became a voice for society.  We bank on the solidarity and bayanihan spirit that Filipinos are known for, no matter where in the world they may be.  So that at least for a couple of hours, in this festival, when we come together as a community and celebrate the core of our being - we bring the Filipino back home.

This year’s festival will headline the Filipino themes of love and romance, the traditional games of skills, the fiestas (feasts), and the social issue of Filipino migrants.  It will gather about 70 artists from Edmonton, Vancouver and Red Deer.  Featured artists include: Vancouver-based filmmaker Angelina Cantada, who has proven herself in film festival circuits in the US and Canada; the long-standing Filipino-Canadian Saranay Association; musical arranger Geris; the authentic Filipino martial arts Pekiti-Tirsia Kali - Alberta; the much sought after Philippine Choral; the versatile dancers of The Lucila Project; the Pacific Island Dance Troupe; the folk dance sector of the Phil. Canadian Association of Red Deer & District; and Pinoy Singing Sensation young champion Wency Calderon.  Lixmila Serrano of Gala Management and Event Services joins our team as Executive Producer.

* This was written for and published in the April 2012 issue of Pinoy Times.

Year in Review - the Philippine Arts in 2011

The year end is always a time to look back on the year past - as reflection, as learning, as an inspiration in facing the future.  Here, we review the biggest news and achievements in the Philippine arts scene, culled from direct information, news and the social media, focusing on Filipinos around the world.

Dance

• Candice Adea and Jean Marc Cordero, principal dancers of Ballet Philippines, garnered Special Awards in the Boston International Ballet Competition, winning the lead roles for a Russian ballet performance and in addition for Candice, the Maris Liepa Prize for Outstanding Artistry.
• in Edmonton, choreographer/director Jojo Lucila was one of the City’s Awardees for the Cultural Diversity in the Arts Award.

Film

Matthew Labatique, cinematographer for "Black Swan"

• Nino, a film portrait on the decline of a wealthy family by director Loy Arcenas, was awarded the $30,000 top prize New Currents at the Busan Film Festival in South Korea.  This festival is one of Asia’s most important showcases.
• Auraeus Solito’s Busong won the FIPRESCI (International Federation of Film Critics) International Critics Prize at the Eurasia International Film Festival, Kazakhstan.  Busong is a native Palawanon’s term for fate or instant karma. The film tackles the environmental degradation in Palawan and stars acclaimed actress Alessandra da Rosi.
• Matthew Libatique, Filipino cinematographer of “Black Swan” won the Best Cinematography prize in the Independent Spirit Awards in California.  He was also nominated in the Academy Awards for his work on the same film, and in the same category.
• the documentary program Storyline created by writer Patricia Evangelista and filmmaker Paolo Villaluna bagged two medals in the New York Festivals International TV and Film Awards
• 18 year old Paulo Reyes won the top prize for his film First Steps to Recovery in a global film competition by the Tony Blair Faith Foundation.  The judging panel included Hugh Jackman, Jet Li, Wendi Murdoch, and former UK Prime Minister Tony Blair, among others.
• Bisperas (Trespassers) won the Best Asian-Middle Eastern Film Award at the 24th Tokyo International Film Festival.  Directed by Jeffrey Jeturian, the film is about a family whose house is burglarized on Christmas Eve and amid the tension brought about by the burglary, the members of the family realize how treasured sentiments have been lost and relationships have evolved. 
• Cannes 2009 best director Brillante Mendoza’s independent film Lola got the Best Film award, and actors Anita Linda and Rustica Carpio tied for the Best Actress award, at the Tehran International Film Festival in Iran. This same film was also recognized at the 8th Asian Film Festival in Rome, won the Best Film at the Dubai International Filmfest, Grand Knight Award, the Miami International Filmfest and was also featured in the Tribeca International Film Fest in New York last April. 

Literature

• political prisoner Ericson Acosta was named a finalist in the prestigious 2011 Imprisoned Artist Prize in the Freedom to Create Award Festival in Cape Town, South Africa.  The award is given to artists who are incarcerated because of their courage and creativity in pursuing their art, and the role of their work in highlighting injustice.  He bested more than 2,000 nominees from 145 countries by a jury consisting of Hollywood actress Daryl Hannah, novelist Salman Rushdie and ballet icon Mikhail Baryshnikov.
• Jose Antonio Vargas, a former reporter for The Washington Post who shared a Pulitzer Prize for his coverage of the Virginia Tech massacre, revealed in The New York Times magazine that he is an illegal immigrant and has been hiding it for nearly 20 years.

Music

Maria Aragon with Lady Gaga

• rise to fame of YouTube sensation Maria Aragon for her cover of Lady Gaga’s song, and Thia Meguia for her entry in American Idol
• Karla Maye Carreon was declared grand champion in the vocalist category in the K-pop World Festival in South Korea.  

Theater

• the passing away of National Artist Salvador Bernal

Visual Arts

• Mideo Cruz’s controversial installation Poleteismo, which mixed Catholic icons with pop culture and sexual imagery, caused a public uproar and debate on artistic freedom and resulted in the shutting down of the exhibit at the Cultural Center of the Philippines.
• Rodel Tapaya was awarded the Signature Arts Grand Prize 2011, at the Singapore Arts Museum.  The winning entry selected from 15 artworks shortlisted from 130 nominations from 24 countries was Baston ni Kabunian, Bilang Pero di Mabilang (Cane of Kabunian, numbered but cannot be counted), an acrylic on canvas.
• the entries of photographers Reynaldo C. Mondez and Romeo B. Doneza, Solar Energy Panels and World Wide respectively, won top prizes in an Asia-Pacific Economic Competition, besting 204 photos from 95 other photographers.
• George Tapan won the National Geographic Photo Contest - Places Category.  The most prestigious international photo contest, 20,000 photographs from 130 countries were submitted.  George is the first Filipino to ever win, and on his first submission too.  The winning photo showcased the beaches of Palawan.
• winning entry in the International International Children’s Painting Competition on the Environment was 13-year old Trisha Co Reyes’ work showing a young girl pulling back a large grey curtain covered in images of dying trees in a polluted landscape, to reveal a colorful forest filled with abundant life.  She was formally presented the award in Indonesia by the United Nations Environment Programme.
• Ifugao native Gilbert Bergano Alberto won the Silver Award and the Prix du Public (Audience Choice Award) at the 10th International Sculpture Symposium in Geneva for his sculpture A sitting old Igorot Man playing a Gong.

George Tapan's photo for National Geographic

* This article was written for the January 2012 issue of Pinoy Times.

The Aura of Maura - a Filipina makes her mark in the Opera

Maura Sharkey-Pryma is an established lyric coloratura mezzo soprano based in Edmonton.  The first time I heard her sing in a church concert, I was in awe with her vocal prowess and equally proud upon learning that she was also of Filipino heritage, tracing her maternal roots to Lipa, Batangas.  

So when we were organizing the Philippine Arts Festival in 2010, we knew that it was essential to have her as one of the featured artists.  That production served as her “debut” to the Filipino community and events, and a shining example of the Filipino artist excelling in the global stage.

The span of Maura’s professional operatic career includes appearances with the  Vancouver Opera Touring Ensemble, Edmonton Opera, Manitoba Opera, The Opera Project, Opera NUOVO, Edmonton Symphony Orchestra, the Edmonton Chamber Orchestra, Edmonton Composers’ Society and a collaboration with Juno award winner Malcolm Forsythe and the University of Alberta Orchestra in Elgar’s The Music Makers.  Described by a critic as “an exuberant Canadian mezzo soprano... shows herself comfortable in all the registers, bursting precision and engraves resonance”, she has essayed roles like Cinderella in La Cenerentola, Mercedes in Carmen, Dorabella in Cosi Fan Tutte, and the Mother in Amahl and the Night Visitors.

As a young girl, Maura initially wanted to go into musical theatre but a penchant for classical music and a flute-like voice quality opened up opportunities for her in opera.  A holder of a Bachelor’s and Master’s degree in Music at the University of Alberta, she is one of those people who was constantly at the right place, at the right time - with offers and opportunities smoothly tossed her way.  This does not imply, however, that she never worked for or deserved those opportunities.  Lucky as she was, she impressed me as a very hard and determined worker, fully grounded and recognizant of her true place in her art.  As attestation, she has won the Western Canadian Metropolitan Opera Council Auditions in Vancouver in 1998; was a two-time awardee of the Johann Strauss Scholarship, and again, a two-time recipient of the Anne Burrows Foundation Scholarship.  She was also the Canadian representative in the Queen Elisabeth Music Competition in Brussels, Belgium in 2004.

In addition to her personal achievements, Maura has generously been sharing her musical skills since high school, starting out as a piano teacher and eventually a voice teacher, coach and adjudicator.  “My purpose is to help each student build a solid musical foundation that will provide him/her a lifetime of enjoyment.  My job as a voice teacher and mentor is to inspire and uncover each student’s potential, and to be a guide-helping to develop and strengthen these gifts.  I am devoted to helping singers discover their voice, and present them in successful performances.”   From her private home studio and her studio at the MacEwan Alberta College Conservatory of Music in Edmonton, she trains ambitious young singers in classical, musical theatre, song interpretation, and extensive breathing and vocal techniques in the Bel Canto method.  She is also a proud member of the National Association of Teachers of Music (NATS), the Canadian Music Festival Adjudicators’ Association (CMFAA) and serves on the Board of Directors of the Alberta Music Education Foundation (AMEF).

In an interview I had with Maura, she reminisced about her musical journey and how her mentors have ingrained their distinct characteristics on her; the balancing act between her love for music and her family; the excitement of learning new roles and materials; her anecdotes as a teacher; and her aspirations.  She shared her dreams of having her own music centre, of portraying the roles of Carmen, Suzuki in “Madame Butterfly” and more Rossini operas, and of doing some recordings, especially the Filipino songs.  She proved that she knows her stuff -- what she needs to work on, what she excels at, and acknowledges the realities of her industry.  Her advice to young singers is to find a good teacher & learn as much as they can, ensure always that the voice is technically sound before pursuing a career, persevere, and pay their dues.

Our conversation was relaxed, an exchange of thoughts between two artists.  As we talked about art and other mundane things, she presented herself as a regular human being, yet somehow provided the sense that one has chanced upon someone special - a person cut above the rest.  She spoke with passion and at the same time, with logic.  That she is blessed in talent, wisdom, generosity and humility is palpable, and she possesses this luminosity that I call the “aura of Maura”.  Witness her live in her next performance as the title role in Carmen with the Calgary Concert Opera Company in their 2012 season.

* This article was written for the November 2011 issue of Pinoy Times.

Mayor's Arts Visioning Committee - Edmonton as a Cultural Hub

I was fortunate enough to be a part of a Discovery Dialogue for Edmonton Mayor Stephen Mandel's Arts Visioning Committee last August 10.  Co-chaired by Dianne Kipnes and Brian Webb, the committee was tasked to understand and develop how Edmonton can use arts and culture to promote citizens' pride in the city through 2035 and beyond.  In the kick-off event "Think Tank for the Arts" last June that brought together artists, entrepreneurs, activists, performers, students, developers and community leaders, Mayor Stephen Mandel remarked that "Arts and culture form the very heart and spirit of a community, and are the things from which great cities are made.  I believe that Edmonton's vibrant arts community, knack for creativity and innovation, and unique multicultural character position us for success. This Think Tank event is about listening and working with the community to start to pull together an integrated and coordinated plan to raise the profile of arts in our city."

The Discovery Dialogues were the next round of consultations with various sectors of the community undertaken by the committee over the summer. Present were Councilor Ben Henderson, Dick Wong of the City Arts Council, Brian Webb and John Mahon, Executive Director of the Edmonton Arts Council. There were also representatives from various cultural communities engaged in the different arts - dance, music, opera, literature and the visual arts. The discussion centered around concepts and sharing of experiences on gaps in the Edmonton arts community, strategies, integration of arts and the business community, possible arts venues/locations, mentorship program, opportunities for emerging but mature artists, networking opportunities, festivals, free or low cost space, more quality performing venues, grants and other sources of revenue, artist recognition and integration of the arts further into the civic fabric.

The next round will be business, design and architecture stakeholder conversations on transforming and repurposing identified areas. These include the Rossdale Power Generation Station and riverfront plaza, MacEwan Centre for the Arts and Communications, Quarters area, downtown area and airport lands. Topics will include developing and planning the details about the amenities, programs and services that can be offered in these locations. The report with recommendations is targeted to be submitted by the Arts Visioning Committee to City Council by end of the year.

Ida Beltran-Lucila with Edmonton Mayor Stephen Mandel

It is gratifying to see that in these times of financial uncertainty, city government is pulling out all the stops in raising the profile of the arts and elevating it across the city, whereas other governments may be inclined to relegate it to the bottom of the priority list. After all, in the words of Mayor Mandel, "If we truly want to focus on attracting business and creating a superior quality of life for Edmontonians, we must start with the creative industry of our citizens... Opening our city up to the kind of creative excellence and energy that drives the arts industry is good business.  The arts can be a valuable economic driver for region."  Indeed, Edmonton will prove itself to be a good place for people, especially artists, to be.


* this article was written for Pinoy Times, published in September 2011 issue